Few settings in Greek drama are as evocative as the grove of the Eumenides at Colonus. Sophocles, who was born there, invests the landscape with both realism and sanctity. The description of the grove in the Chorus’ first ode is among the most lyrical passages in all of tragedy:
“Here the nightingale cries deep in the green glades of ivy, / Sacred to the goddesses who walk unseen.”
The natural beauty of Colonus mirrors the moral serenity toward which Oedipus journeys. It is a place where human suffering meets divine forgiveness, where the soil itself becomes a medium of grace. Sophocles’ Athenians would have recognised these groves and altars; the play thus weaves civic geography into sacred myth. The poet’s birthplace becomes a theatre of salvation.